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This strip [The Warrior Queen] was a bit of a gut punch due to how this fairy-tale plays out. The story builds up well to give the strip its emotional impact in the closing panels. I’m deliberately avoiding saying too much about the story as I don’t want to spoil the strip. The artwork plays well with the fairy-tale tone of the story particularly with the bright colors and sets. The lettering on the captions further emphasized the fairy-tale aspect in how they are presented. It’s a nice touch that works better than the standard caption design. A well executed strip that’s all about the ending.
“The Monster” (Jenn Arledge), a four-page tale that reads all too quick, interestingly becomes an economic masterpiece in its final panel. Arledge’s use of misdirection is memorable in a story made all the more unsettling by the cartoonish artwork (Mharz, Micah Weltsch).
Officially founded in 2016, Arledge Comics started as an umbrella imprint to house Jordaan’s numerous titles – ALEX PRIEST, BLACK GOLD, THE MARTYRS, and more. Since it’s inception, Arledge Comics has become the home of a number of anthologies, – including TRIAL RUN and MY KINGDOM FOR A PANEL – and creator-owned comics (FUTURE GIRL, THE GREAT WITCH ARTEMIS). Our mission is to create queer friendly comics for the whole family to enjoy!
Emerald City Comic Con 2018, 2019
Oregon Coast Comic Con 2018
ClexaCon 2018, 2019
Wen-Con 2018
VanCAF 2018, 2019
Lilac City Comic Con 2018, 2019
Destiny City Comics and Arts Festival 2018
FlameCon 2019
Renton City Comic Con 2019
Rose City Comic Con 2018
Olympic Collectibles Expo 2017, 2018
Fantastacon 2017
Central City Comic Con 2018
Geek Girl Con, 2018
Jet City Comic Show 2017, 2018
Self-Publishing: Taking your Idea from Concept to Comic. (Jet City Comic Show 2017)
Asexual Representation in Comics (Emerald City Comic Con 2018)
Publishing Indie Comics (Wen-Con 2018)
Indigenous Futurisms in Comics (Emerald City Comic Con 2019)
Indigeneity in Comics (VanCAF 2019)